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Spencerian Copybooks 1-5, Set, without Theory Book (Spencerian Penmanship)
Free Ebook Spencerian Copybooks 1-5, Set, without Theory Book (Spencerian Penmanship)
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Product details
Series: Spencerian Penmanship
Paperback
Publisher: Mott Media (February 1, 1985)
Language: English
ISBN-10: 0880620951
ISBN-13: 978-0880620956
Product Dimensions:
8.4 x 0.7 x 7.7 inches
Shipping Weight: 12 ounces (View shipping rates and policies)
Average Customer Review:
4.6 out of 5 stars
164 customer reviews
Amazon Best Sellers Rank:
#31,814 in Books (See Top 100 in Books)
I have never learned cursive writing my whole life and now 20 days into practising with these copybooks, I have to say, wow! Buy these books and practice them with your whole heart. You will be so proud of yourself very soon.
I am really enjoying learning the script through these copybooks even though it is so simple. It takes me back to my school days when we practiced cursive, which I thoroughly looked forward at the time.I wanted to address something that a number of people had commented on regarding the quality of the paper. I am using a fine mechanical pencil for practicing the strokes in the copybooks. The purpose of the practices in these books is to create the hand/ brain connection: for you to get the feel of making the movements.It is not necessary to use pen and ink, and in fact, I think that it is distracting as you would be trying to master two things at once. For that reason my suggestion is to use a mechanical pencil that is fine ( it will stay "sharp" like a nib pen ) and focus on getting the form down. If you feel excited to try pen and ink, you can certainly do that with the appropriate paper as a separate exercise.My second suggestion is to skip the first row on each page of the copybook. Start on the second row and continue to the end moving along in a fluid relaxed manor. (Preferably in one sitting). Then when you get to the end of the page, go back and complete your practice on the first row. It is fun to see how far you have come by comparing the second row (your first practice row) and your first row (your last practice row), and also see how close you are the the sample row above.It is reassuring to see how, when I worked in a relaxed way, there was a lot of improvement from first to last. My hand did begin to get the "feel" of the movements!Enjoy!
This is an excellent course in elegant nineteenth century longhand. I also brought the theory book. I am an artist by profession and I wanted to learn the beautiful script of the nineteenth century, but I immediately noticed that the different way you are taught to hold the pen made it, while more difficult, far more easy to control and manipulate your pen. I decided to completely change the way I hold my writing/drawing pens and to adopt this manner for all my work. This is hard and causes my hand to cramp up now and then but it is worth the effort. Maybe the Spencerian manner of holding a pen is of even greater importance than the writing!The covers contain extra instructions, also that you are meant to use these books with pencil. The paper will bleed through with fountain pens.I think that one needs a lot more practice anyway than just the booklets give you space and I find some letters more difficult than others so devote more pages to them. So I have brought the Clairefontaine french ruled exercise books. Look for the wire bound larger books, I found sellers with really good deals on the net. Clairefontaine paper is made for fountain pens and is a joy to use. It makes your writing easier too, to have proper paper. The French ruling is the perfect help.I am really enjoying the books, I am half way now, and my ''normal'' handwriting has improved noticeably.Another thing I really liked, and I don't know if it was in the theory book or in the instruction books, but in the end, after you mastered the lines and letters, you are free to develop further into our own style.To make the beautiful thick/thin lines you will need a flexible fountain pen, or a dip pen with flexible nib. A ''calligraphy'' nib will not give you the right effect and will not teach you the difference in pressure needed. That means a vintage pen or a very expensive modern gold flexible nib fountain pen, or, the only affordable modern flexible nib fountain pen: the ''Noodler's Ahab''. (this is a pen for people who like to fiddle with their pens). I love it, use it for sketching too as the difference in pressure and line is an important part of my style. I prefer the Ahab now for sketching as a flexible dip pen (besides the need for an inkwell and constant dipping), tends to snag very easily unless you have very smooth paper, which means you'd have to make your own sketchbooks. And the same goes for writing obviously.If you want to learn beautiful elegant longhand and learn a superior way of holding pens, I wholeheartedly recommend these books.I hope this review was helpful to you.
My wife and I are practicing our penmanship together using these books (I purchased 2 sets). The practice makes for a fun activity we can do together. Each exercise takes about a half hour of practice. The movements you learn start very basic, then you start to for individual letters, then combinations of two letters, then full words and eventually sentences. This is a very methodical approach of learning to improve your skills.One key feature that is not explained well in these or the theory book, is how to hold the pen. The pen should almost be vertical, and touching the second joint of your finger. Your ring finger and pinky finger nails should slide across the paper. The hand does not anchor on the paper, the elbow is the anchor and movement starts from the shoulder. There are some youtube videos that I found helpful. If you hold the pen in the normal way (like you practiced all your life), you will have early success but it will hold you back in the long run.
So far so good. I remember hating cursive writing back in elementary, and have self taught myself in college so I can write notes faster (I prefer writing over typing, i remember stuff better). But, since starting bullet journaling I’ve found my cursive lacking, so I’m starting with these books to work on my lettering skills. General instructions are provided on the back of the front page, and continued on the back panel of the back cover. I’m using a pilot .38 gel pen and I am pleasantly surprised that the ink is not noticeable at all when I flip to the back part.
These books accompany the Spencarian Penmanship Theory Book. Its important to note you need a fountain pen to successfully learn the techniques. Gel or Ballpoint pens lead to cramping and do not follow the natural flow of the methods. Once you have mastered the method you can write with ANY implement. However it is better to start with a fountain pen in order to teach your hand to relax while writing! Well planned out - we are into book 2, spacing them a month apart for maximum absorption.
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Spencerian Copybooks 1-5, Set, without Theory Book (Spencerian Penmanship) PDF
