Download PDF Class Act, by Cholly Atkins

Download PDF Class Act, by Cholly Atkins

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Class Act, by Cholly Atkins

Download PDF Class Act, by Cholly Atkins

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Review

Cholly is one of the true icons of American culture―an original hoofer. He took social and street dances of the time and combined them with style and class, introducing a new dance genre, vocal choreography. Weaving rhythm and groove seamlessly, he created dance with flair while allowing several generations of young people to stand on his shoulders. Pops put a little dip in their hip and a little slide in their glide. He is a serious legend and one of the finest human beings I've even known. The legacy of Cholly Atkins is one that will be with us forever. We are blessed to have been touched by his magic. (Quincy Jones)He's the wellspring from whence we flow.... [He] understands the way that the human body moves, he understands the grace of dance. (Melvin Franklin, original member of the Temptations)His choreography is so unique, it's just like a Rolls Royce among a whole lot of Yugos. He's classic, man. (Otis Williams, member of the Temptations)Cholly Atkins was our everything.... He taught us how to walk onstage, how to walk offstage, how to move. (Gladys Knight)As Class Act makes clear, professional tappers formed an elite brotherhood, a society of proud, resolute strivers with no shortage of dignity, talent or wisdom. We should be grateful to Cholly Atkins for generously sharing his with us. (International Herald Tribune)To have Atkins' memories preserved is to have an immense contribution to nearly a century of American popular song and dance acknowledged, and in his own lifetime. Motown may have been just a stopover in this storied life, but we, and the company, were lucky to have him. (Terry Lawson Detroit Free Press)A personal encounter with an exceptional man whose winning personality shines through on every page...provides solid information about the history of American jazz dance. (Carol J. Binkowski Library Journal (starred review))Without having first read Class Act... you may be half-informed at best about the evolution over the past century of black dance rhythms and the importance of vernacular choreography. (Billboard.com)Class Act chronicles Atkins' amazing career, from his entry into New York City's dance world to his performing triumphs and personal tragedies to the career transformations that won him gold records and a Tony award. Anyone interested in tap dancing and/or the history of rock and roll will enjoy this book. (Dance International)

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About the Author

Cholly Atkins has been a jazz dance artist, choreographer, and director of stage acts for decades. He has been honored by the Smithsonian Institution, the National Endowment for the Arts, and many dance organizations.Jacqui Malone, who began interviewing Cholly Atkins in 1988, was awarded a Ford Foundation Grant and a Guggenheim Fellowship to write this book. Author of Steppin'on the Blues: The Visible Rhythms of African American Dance, she is a professor of drama, theater, and dance at Queens College.

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Product details

Paperback: 280 pages

Publisher: Columbia University Press (March 15, 2003)

Language: English

ISBN-10: 0231123655

ISBN-13: 978-0231123655

Product Dimensions:

6 x 0.7 x 9 inches

Shipping Weight: 1 pounds (View shipping rates and policies)

Average Customer Review:

5.0 out of 5 stars

1 customer review

Amazon Best Sellers Rank:

#781,367 in Books (See Top 100 in Books)

I loved this book on Mr. Atkins. Here is one of my favorite excerpts from him:"I had an authentic jazz background. What I mean by `authentic jazz' is what they basically now call street dancing - things that black black neighborhoods came up with. We've been doing those moves forthousands of year.Tap dancers basically use portions of authentic jazz dance so they'll look good as well as sound good. I am talking about dances like the Suzie Q, Charleston, and the Black Bottom; things that created excitement as soon as we came up with them. Now, right away there were adaptations of these dances and they were claimed by other people and presented in places where we weren't permitted to go. But we all know where they came from.A lot of the moves that the young kids are doing now are very familiar. They have a different beat and all that, but you look closely and you see steps there from African traditional dances."I was prompted to read more about Cholly Atkins after reading Jacqui Malone's Steppin' on the Blues, in which she dedicates a chapter to him. The book was an enjoyable read, and I learned more about Mr. Atkins and people that touched his life, especially his tap partner and life long friend, Honi Coles. I was also touched by his revelations of some very painful events in his life.I had always been vaguely aware of how important Mr. Atkins was to the development of Motown artist. But I knew nothing of his life before Motown. He was at least 50 when he became a part of their team. But most of his life he was a rhythm tap dancer. What struck me is when he said the best and most innovative tap dancer since his time is Savion Glover. Now when the master says something like that, I must take note. He says Savion is an innovator. He added a branch to an ancient tree. He has taken tap further alone and has created some complex taps.I just love those old school artists. I just have a thing for classy, well dressed men and women. The Motown machine continued the tradition of class with their performers.Thank goodness my knowledge of him is no longer vague. I want to thank Ms. Malone for introducing me to Cholly Atkins properly.

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Class Act, by Cholly Atkins PDF